Thursday, 2 February 2017

COP NOTES (Note to self) - Japanese Aesthetics? It's an actual thing...!?


  • I was reading through the various -isms, and it mentioned the theory and philosophy of Japanese aesthetics being an influence towards modernism movement. I wasn't sure if it would be relevant to my research, though I decided to look into it since it seemed interesting. 
How my brain processed all this: 


Japanese aestheticsaesthetic ideas + Buddhism (?) 
(it's not as strange as it seems. A very philosophical -ism.)

The principles: 

mono no aware (the pathos of things)
wabi (subdued, aloof beauty?)
sabi (rustic patina)
yugen (mysterious profundity)
iki (refined style)
kire (cutting.)

MONO NO AWARE
  • to be aware of things (?)
  • valued for its short-lived nature (e.g. cherry blossoms) - since they usually begin to fall within a week of their first appearing
  • said to evoke the wistful feeling of mono no aware in the viewer


WABI
  • simple, understated (first praised in poetry, art of tea and the context of Zen - Kenko, poet)
  • minor imperfections are often valued more highly in comparison to those that are supercifially perfect
  • a simple structure, but a special and evocative one
  • emphasises on light and shadow


SABI
  • something that has aged well, grown rusty or has acquired a change through time that makes it beautiful 
  • SABIshi - lonely, solitary
  • the idea of older things connects us with the past in a way that shiny products of modern technology simply cannot
  • closer connection to the natural environment - older things tend to be made by natural materials


YUGEN
  • East-Asian culture favors allusiveness over explicitness and completeness
  • experienced through cultivated imagination


IKI
  • examine the objective expressions of the phenomenon, which are either natural or artistic
  • subtleness, nuance - e.g human body's slight relaxation, a voice of medium pitch
  • parallel lines, vertical stripes are expressive of iki
  • grays, browns and blues


KIRE
  • Literally means cutting
  • for an art that begins by initiating their death (?)
  • buddhists viewpoint of the impermanence of things, plants, which lack locomotion and by sinking roots into the earth

  • What I thought was interesting is that the basis of Japanese Aesthetics revolves around the idea of nature, impermanency and constant change. I feel that in a way, it is related to the current modern culture/society, where everything is always changing, moving forward. (Mind blown!! Then again, this is a philosophical idea on how life could work)






















  • I feel that this leans more towards the Eastern-Asian culture and philosophy. Though I could see the connection and basic idea taken from it: the idea of experimentation, change, welcoming simplicity and the artists' personal expression. In a way it is something that I could see in my own practice as well.


Sources/Link (further reading):

https://plato.stanford.edu/entries/japanese-aesthetics/#Bib

https://www.japaneseaesthetics.com

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